The supreme and inevitable need to walk, to make brick after brick, the way to go, to understand those who will be part of it, and to collect dowels without which many relationships would not be such.
Events that establish unions that turn into other events.
The design of a large map: streets that intersect, meet and collide, pointing to direction and movement, creating casual or voluntary relationships.
Promising talent! Spota engages his poetics on the bodies of dancers with a richly readable lexicon of swirling fingers of arms, hands, heads, and fists like bricks on top of each other, which is a jolt of plasticity and dynamism.
It is the wave of energy in Spota’s story-telling that goes far beyond engaging movement; It is energy that comes from the feet, in contact with the earth, goes up and transforms into creative intelligence.
The Choreographic is organic and cohesive; intersect sequences that "aggregate" and "decompose" build groups and dissolve couples and trios into a dynamic flowing rutile.
Of this young author strike the ability to alternate groups sections with duets. The estro with which the great lyricism of the ensemble passages responds to the delicate poetry of the duets. Spota knows how to handle "the dance thing". Its is a light, soft yet secure touch that captures the
fluidity and dynamism of contemporary language in the agglomeration of seemingly self-rescued bodies that leap into the space between fast-paced, jumpered and sophisticated gestures. It is spontaneous to say "Ad Maiora" Giuseppe!
Fascinating also the great energetic performance of the actors, the separation and connecting, the progress and arriving convincingly with lifts, twists and jumps.
Deeply touching.
Sensual and powerful. Dynamic. Flowing choreography of a Giuseppe Spota.
Impressively energetic movement.